Icons & Influencers

Icons & Influencers

Colleen Nika talks fashion + music and who to hear in 2012

Colleen Nika photographed by RANKIN

I want to introduce you to Colleen Nika. Colleen and I were first “facebook friends” before meeting in real life at the after party for Beady Eye at Norwood. I immediately fell in love with her Frank Tell dress and shortly after that with her acerbic wit and sly observations. She is a woman who loves fashion but has a passion for music. As the fashion editor at Rolling Stone she’s created the must-read  daily column, Thread Count, in which she explores the relationship of style and music. Not only that, the girl DJs, makes her own music and runs Nightvision, a platform she launched to introduce nonconformist international sounds to new audiences. Here she answers my questions about fashion + music and who we should be paying attention to in 2012!

What inspired Thread Count?
It was born out of a need to prove that the interplay between fashion and music is more relevant than ever and that there should be an editorial platform dedicated entirely to exploring and chronicling that relationship. And I pilot that ship.

Courtney Love

Is there a decade or period that you think was particularly amazing in terms of the intersection of music and fashion?
Yes, the ’90s, and it was so unscripted and untainted by forced collaborations and celebrity-helmed lines. I’m a big subscriber to the heroin chic aesthetic, which I know isn’t PC, but elegant decay fascinates me. My musical tastes are built on that dichotomy, too, so it fits. The ’90s seemed more or less built on the juxtapositions of glamour and destruction, and the styles of Shirley Manson, Kim Gordon, PJ Harvey and Courtney Love became fuel to fashion’s fire.
Kate Moss and her fragile model ilk were the runway versions of that ideal, that high glamour, low life tension. That was the birth of luxe grunge. I also adore the technophilic rave styles from the era; there’s obviously a huge resurgence of that now and I’m trying to pinpoint why that is. It’s more than nostalgia; it’s trying to rebuild the idea of a future, so tech fabrics and electric hues convey that well.

HURTS

What was your favorite fashion/music moment of 2011?
Seeing HURTS, the most attractive, dramatic, and well-dressed band in music, play at Mulberry’s party in London. It was a moment of aesthetic bliss. They looked and sounded so good, and for a sublime hour, that’s all that mattered.

Grimes

Grimes

What current artists do you think have the most interesting fashion sense?
Nic Endo Fever Ray, Phlo Finister, Shirley Manson, Bjork, Nicola Roberts, Grimes and HURTS.

Musically who do you listen to at the moment?
I’m always working on mixes, so that. Aside from that, The Girl With The Dragon Tattoo score (as a combined visual and sound, the most grotesquely stylish aesthetic experience of the year–right up my alley). Trent Reznor is a core influence for me and the perfect synthesis of pop and uncomfortable extremes. I also love the Baader Meinhof Komplex score and other works by Vangelis, Jarre, Clint Mantsell, and Cliff Martinez. Artists on heavy recent rotation: Biosphere, Prurient, Araabmuzik, Zomby, Jon Brooks, November Novelet, Drexciya, Tropic of Cancer, and Regis.

What inspires you about NYC?
I honestly consider myself internationally-oriented but I love being able to walk everywhere here and always find something new while being around the corner from familiar comfort. And there’s still some oddities to be enjoyed amidst the over-commodification. I’m here to help accentuate those aspects.

Be sure to check out Thread Count and follow Colleen on twitter!

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Malcolm Harris

Is it possible to be known for both your substance and your style?

I’m not talking about the “classics” like Audrey Hepburn, an actress who then went on to devote much of her time to UNICEF or Jacqueline Kennedy Onassis or Princess Diana –two women who used their extraordinary positions in life to do good. I’m wondering about contemporary style icons. In an article I read recently both Victoria Beckham and Carrie Bradshaw were cited as style icons: a former Spice Girl turned designer and a fictional character that seems to be more Cinderella than sex –in the city.

Malcolm Harrisis a New York based fashion designer, creative activist, humanitarian and Huffington Post Columnist. Not only does he share my admiration of those who have both substance and style but he’s emblematic of this himself. Though he thrives on being a jack-of-all-trades, Malcolm’s primary purpose is to live his life as a vehicle for social change. Malcolm’s creative passions for fashion, art, music and film, along with his extensive and diverse global social network are all means to support one simple aspiration – “to make the world a much better and more beautiful place for all of her inhabitants.” And he does this with impeccable style. So I am thrilled that he is our first profile in this new section, Icons & Influencers.

SDNYC You are such an international person – your concerns are global…so what is it about NYC that makes you want to call it home?

Malcolm Harris I truly believe New York City is the equivalent to ancient Rome… All roads lead to New York City… In all honesty my love affair with New York City is the equivalent of being with an abusive lover. It beats you up really bad, then comes home occasionally bearing gifts and begging for your forgiveness… LOL…

SDNYC What’s a perfect New York City day for you?

MH A morning walk through Central Park, a quick pit stop at the Metropolitan Museum, lunch at La Goulue on Madison Avenue, the Fifth Avenue bus downtown, a matinee at the Angelika Film Forum and dinner at Indochine… That would be a blissful day… I love moving through this magical city and creating little magical vignettes and experiences as the day goes on… And I’m very lucky that my career allows for inspirational days just like this…

SDNYC I read your article on the Sheikha Mozah on the Huffington Post and I love that you are pointing out this combination of substance and style! I don’t think there is enough emphasis on this in our culture. We still have these ideas that if someone has style -especially extreme style- they must be an airhead or a narcissist. And conversely if someone has substance they don’t care about things as superficial as appearances -which are both ridiculous concepts. How do we encourage more appreciation of substance in this never-ending quest for style?

MH Somewhere along the line I believe it just became easier in our society to make the two – style and substance – mutually exclusive. But I think the more we present the case of people like Sheikha Mozah, Daphne Guinness, Rushka Bergman or Bernard Henri Levy, etc. people will begin to see that personal style is simply an extension of substance, intelligence and purpose.

SDNYC I’ve recently been to the McQueen exhibit and was struck by his historical knowledge and how it played into his collection. What are your thoughts on this? “knowing your history” and it’s relation to the creative process?

MH I’ve actually gone back to see the McQueen exhibition on three separate occasions and not once have I left without being a complete emotional wreck – in a good way. Alexander McQueen gave his everything to the creative process and it is perhaps the reason he left this earth too early. His collections were simply the manifestation of his beautiful yet haunting personal demons. I believe it’s the reason that creatives must always find a mission or calling outside of our self-contained process that balances and anchors our creativity.

SDNYC I feel like living in NYC especially you have the opportunity to open yourself up to new experiences and people. Can you share three encounters/people in your life that changed it or made you think differently?

MH
The first time I met Andy Warhol as a youngster and he said to me, “Never leave NYC – they won’t understand you anywhere else.”

The first time I stalked Linda Evangelista for 15 minutes in Soho during the early ’90s and realized she was just a normal person – doing normal things.

The first time I met Madonna, and she asked me a very pregnant question, “Are you just going to stand there staring or are you going to do something?” At the time I simply laughed and began the fitting that would change my life. To this very day, it is the question that I ask myself before I take on any new project, cause or endeavor.

SDNYC Speaking of projects, what inspired the ONE Dress project?

MH The One Dress Project was born out of the demand of women over the years whom had been approaching and requesting my assistance with their various charities and causes. Therefore, I decided to create ONE product that could unite and support many women and many causes. The One Dress Project’s mission and vision truly become the calling that wakes me up in the morning to live my life with purpose and passion.

SDNYC Do you consider yourself a feminist or do you think that term is outdated?

MH I do realize that I may have become an accidental feminist, and feel that the struggle for women’s rights globally is still too relevant to retire the word. As a male in the movement, I compare it to all the non-African Americans that supported the civil rights movement in the ’60s. But I came to this global mission after I began to seriously travel the world and see how women are truly treated, or moreover, mis-treated. Therefore I knew exactly where my voice and energies were much needed and appreciated.

SDNYC StyleDefined started out as a street style blog because I wanted to show what I saw on the streets of NYC. Some of which is a little different than you’ll find on The Sartorialist and others who are more high fashion oriented. One thing I’ve noticed is that I see more males with interesting street style than females. And more blacks than whites…maybe blacks and Asians. Which is markedly different than what you see in mainstream media or many popular sites. I could probably fill a blog strictly with African American men with great style. Any thoughts on the “why” of this?

MH As an African-American man I know exactly why most of us are usually so well dressed… In a country where oftentimes minorities can feel absolutely invisible to the majority, our outward appearance often becomes our own personal calling card that simply says, “I AM HERE!”

SDNYC You’re an unmissable figure on the streets of the city. What are you trying to present? If how you dress is a way of speaking, what are you saying?

MH I really don’t think about dressing or fashion in those terms… I am really on a much more personal journey and voyage of self-discovery and expression. I look at every day as a new adventure, and therefore I prepare and adorn myself for the ride.

Malcolm “Mister GoLightly” Harris

Below are photos I’ve taken of Malcolm for StyleDefined NYC.

 

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